Revitalistic techniques used by the activists involved in
the restoration of the Moreria Nima K’iche
are diverse. It’s not a traditional family-run enterprise, but a community
directed institution for cultural preservation. Activists work for the
resurrection of elements of Mayan culture while prompting governmental reform
within the framework of the current (1985) Guatemalan constitution and
international law. The most important
effect revitalization has on the day to day operations of the moreria is in the
pricing. The rental rates are lower than other prices charged by for-profit
morerias. The low rates allow for more participation. Without the
participation, the vitality of the dance would not survive.
The Nima K’iche can’t offer the same level of quality that
the traditional morerias in San Cristobal provide. They operate with
inexperienced staff and a relatively old stock. However, groups that are new to
the dance-drama are attracted to the lower prices. Along with lower pricing,
they inform the participants with the important knowledge of the dance and
culture. Moreover, there are no kin-based relationships among any of the
workers. The prototypical moreria traditionally passes craft knowledge and
material from parent to offspring. Trainees are usually acquaintances of
existing personnel and the possibility of future employment is not the main
incentive. Being involved in the preservation of the culture in the community is
the main goal. As part of an incentive, the trainees are given small
scholarships, but the focus is away from the scholarship itself and more about
the cultural agenda.Tourism is a tool to serve the means through which these
strategies are enacted. The performances the moreria offers enhance many public
events. The costumes, masks, cofradia suits and other artifacts are made
available for use. The display enhances the quality of the culture for the sake
of tourism.
Another approach utilized in the revitalization is the
illustrations from books and other sources about the traditional Maya clothing.
The moreria recently made several cofradia suits. The suits are symbolic of the
religious brotherhood. Musicians will wear the suits as they play traditional instruments
at public events. Along with religious revitalization, other activities are
directed towards economic development. The moreria has been involved in several
projects to provide people with vocational training. The morero is an ideal
teacher of basic sewing.
These are very unlike the tourist attractions that we have
in the U.S. When I think of tourism, I think of flashy productions. The best
example that is so opposite of this approach is the Universal Studios production
in Florida. The approach is more per formative in the U.S versus the
interactive approach that the culture uses for their participants. We have
limited strategies for engaging individuals in other cultures. In the U.S we
highlight entertainment, not interaction. Thus, our tourist focus is more interested
in making money and performing a flashy production. The Moreria are more
concerned with the preservation of their culture, than they are concerned about
making a profit.
-Submitted by Jenna Quinn
Jenna- I agree with your observation that the Moreria are more concerned about preserving their culture than with turning a profit. For them, it is really a labor of love and it sounds like they are doing an amazing job! I would like to see one of their performances (probably not the multi-day one!).
ReplyDeleteAngela