Wednesday, April 25, 2012


In looking at the restoration of the Moreria Nima' K'iche', there are multiple examples of revitalistic techniques. THe activists use indigenous dance troupes, teach classes about Mayan culture, and use musicians that perform traditional music. They also hold fairs that showcase local artisans and craftspeople. This helps the activists spread their knowledge to others, including those outside the Mayan culture.


I tried to think of a tourist attraction in the United States that works to preserve culture in a similar way. The first thought that comes to mind is attractions like Jamestown and old-time frontier military forts that attempt to recreate colonial or frontier life. Actors wear the traditional clothes of the period, and spend their days reenacting the day to day lives of people of the period - churning butter, plowing fields, chasing Native Americans. I also thought about the festivals that happen across the country throughout the year (at least they happen in Kansas) where communities hold festivals that honor the heritage of the town, such as Czechfest or Herzogfest (my hometown's German festival).

However, there are some distinct differences between these tourist attractions and the Moreria. The festivals I described above are similar in that they attempt to attract outsiders to learn above the culture and history of the town. However, they are not as complex or involved as the techniques used with the Moreria. Plus these festivals often pull in much more modern aspects or attractions that aren't culturally based. The reenactment attractions are more similar to the Moreria, but there is still a difference. I think the key difference is reenactment verses revitalization. Jamestown attempts to keep us connected to our past. It does not, however, attempt to revitalize that period's culture. The Moreria is attempting to revitalize the culture and ensure it continues to exist and grow. No one is trying to revitalize us chasing Native Americans or churning our own butter.



Ken Wagner

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