List presentational elements of the Iranian Taziyeh. Why
does this performance format rely so heavily on non-realistic techniques?
Iranian passion plays’ primary purpose is rooted in the
Islamic faith. The play is meant to honor the death of Imam Hussein and his
family, and is an emotional and spiritual experience for both the audience and
the performers. Because the purpose of the performance is religious and not
simply for entertainment, the performances do not need to be realistic in order to be effective in their purposes. The plays include many symbolic and
presentational elements to convey the story. The actors dress in elaborate
costumes with symbolic colors that indicate to the audience the type of
character each actor portrays. Props are also symbolic. A chair used to
symbolize a hill, for example, is unrealistic; however, the realism of the
actual performance is not important in Taziyeh. So little emphasis is placed on
realism that the performers often break character in order to wave to a family
member in the crowd and even hold their scripts in hand while performing.
Actors typically maintain a great distance between themselves and the
characters they portray in the plays, and it does not affect the audience’s
experience at the performance. Since the performance depicts a religious story
that the audience and performers know well, the performance does not require
realistic performance techniques or convincing acting. The performance is about
the experience of witnessing the familiar religious story, not just about
entertainment for the audience. Although I cannot think of any parallels in our
culture off hand, this seems to be the case for any kind of reenactment performance. The
purpose is for the audience to feel the emotional connection to the events
portrayed rather than entertainment.
- Jenna Barclay
I am curious if the audience were become better educated- study abroad or read widely books that are probably not allowed there to the general public- if their views on the Passion Play would change? Or maybe a better (more realistic) question might be- I wonder how a Muslim raised in the U.S. in a middle class family would receive this performance? What would a parallel to this be that would give us some insight?
ReplyDeleteAngela Thurman
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ReplyDeleteI tend to like symbolic representations on stage. I think this would be interesting to observe, esp. when juxtaposed with just intense costume choices.
ReplyDelete-hailey