Sunday, February 26, 2012

Q1. Wayang performances serve multiple functions. The government has used wayang to unite the country. Clark discusses how a wayang performance was sponsored by the government in 1998  when the country was facing an economic crisis. The performance was meant to bring the country together and provide hope throughout the crisis. Weintraub also discusses how the the New Order government created the state-sponsored wayang performances in an initial attempt to unite a country that had been torn apart by upheaval and violence. In addition to the noble effort of uniting a country, these wayang performances provided an avenue for the party to spread its official policies to the masses. While the state has used wayang for it's benefit, wayang performances also serve as a method of critique and protest of the government. Critics of the Indonesian government use wayang performances to critique the policies and problems with the government.The performances provide an avenue that risks less censorship than a direct attack on the government.

I think that a focus on contemporary aspects rather than traditional wayang performances help the effectiveness of wayang. Tradition is great. I appreciate aspects of culture that existed almost unchanged for years. However, sometimes that tradition can hinder an art form from growing and improving. A focus on contemporary practices such as singing and clowning helps the art continue to evolve. Likewise, contemporary audiences may often find more traditional performances stale or old. A contemporary turn may ensure the continued popularity of wayang performances.

Ken Wagner

4 comments:

  1. That is a great point that the government has tried to use the art form as a way to cement its power and spread their propaganda while the people use it to poke fun at that same government! Ironic- I wonder if the government gets it?

    Angela Thurman

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  2. For me, the fact that the wayang is so very, very steeped in tradition makes it particularly interesting. The primary source material for the wayang dramas -- the Ramayana and the Mahabarata -- are religious stories that are thousands of years old. The articles put a lot of focus on the way that contemporary performers use those stories to comment on current events, however the stories themselves are far from cutting edge. I don't think we have an adequate parallel to this blending of the traditional and contemporary in the US. For example -- What if a performance group started using Christmas pageants or Passion Plays to comment on the current field of GOP candidates for the presidency?

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  4. That would be fascinating if the three wise men were the three top runners for Super Tuesday. I feel like SNL gets close to re-appropriating traditional stories, but not at all in the way that Wayang accomplishes.
    -Hailey Drescher

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